Lauren's Survival Guide to Broadway

Recently I've had several people come to me for advice on going to see shows and how I manage to cram so many in one weekend. I love sharing my tricks of the trade with everyone and I thought that making a little guide would be helpful since I really wouldn't be anywhere without my amazing friends who have taught me so much in the last few years. So, dear reader I give you my guide to theatre:

Currently, here is a list of shows that are on Broadway: http://theater.nytimes.com/venues/broadway.html

First and foremost:

NEVER EVER, EVER....EVER SETTLE FOR A FULL PRICE TICKET TO A BROADWAY SHOW.

I cannot stress that point enough, I see so many people paying up to $200 on a ticket when they could see up to four for that much. Now, granted most of these opportunities are for people under the age of 30 and college students; thanks to Playbill's wonderful list of Student rush policies, the avid theatregoer can discover just what shows offer such wonderful deals. All that is required is a valid student ID, and be sure to carry cash on you to the theatre because some of the rush tickets are cash only. Most of the shows don't tell you exactly where you'll be sitting, but I've never gotten a terrible seat; also the more popular the show, or if say someone famous is starring in it (i.e. Adam Pascal is currently the male lead in Memphis) you may want to get there at least two hours early. The general time for box office opening is 10am Mon-Sat and I believe they open at 11 on Sundays but don't quote me on that. If you are a student then I would also recommend signing up at StudentRush.org, they often have free ticket giveaways and they have a ton of information about rush policies that are currently going on and off Broadway.
Now if you are not currently a student or are kicking yourself for throwing away your student ID, then fret not dear reader! Most theatre companies understand that not everyone is going to be able to afford a ticket to a show but there are hundreds of people out there that would love to experience live theatre. Enter the wonderful programs that I like to call the "Under 30" programs. Roundabout Theatre Company, The Manhattan Theatre Club, and The Lincoln Center are just some of the notable theatre companies that offer discount tickets for patrons over 18 but under 30, RTC is 18-35. There are no fees, no jumping through hoops or pre-approval...all you do is sign up. The fine print: You MUST have proof that you are between the ages of 18-30 and in some cases whoever you're buying the tickets for must be in that age range as well; not a big deal, especially since you're getting a ticket to a show that probably would've cost you a hundred or more bucks.
Now what of the people who aren't in those age ranges or aren't students? Well my dear friends I have an answer for you as well: TKTS. That's T-K-T-S, not "ticketus" or "tickets," if you say it that way you will get laughed at or shunned by the New York theatregoing community. TKTS is a discount booth, they usually have good selection and have even better prices; I got to see Phantom for like $60, it normally would've cost me $175 for the seat I was in. The employees are super helpful and really nice, they'll answer any questions you may have...as long as its not too crazy there. The best times to go are usually weekdays and if you can't get there on weekdays then definitely get there early on the weekends because it can get pretty crazy very quickly. If you are one of those people that is all about apps for your smartphone, TKTS also has an official app for iPhone and Android; this comes in very handy when you want to know exactly what's currently being offered at the booth. Not every show on Broadway will be at the TKTS booth, but they usually have most of them.

As a final piece of advice, I would like to offer my list of recommendations. These are shows that are currently playing, and some of which are soon closing:
1.) Anything Goes
2.) Memphis
3.) Bonnie and Clyde (this show is closing on Dec 30th, go and see it if you can!)
4.) Follies (closing sometime in January)
5.) Mary Poppins
6.) The Lion King
7.) War Horse (I haven't seen this yet, but everyone is telling me that I must. I mean come on...the horses are life size puppets that people can ride)
8.) The Phantom of the Opera
9.) Wicked
10.) Billy Elliot (closing mid-January)

I also have an extensive list of shows that I want to see, but I won't bore you with those details. I hope that this list helps, and if you have any questions well that's what the comment box is for. Go see a Broadway show! They're much more accessible than you think.

Too many Mornings

I didn't think my previous post did any justice to the spectacular production of Follies that I saw last weekend. Wow, was it really only a week ago? Holy crap...

Anyway.

I just wanted to talk about a few things that I liked about the show; now I realized that not everyone reading this is as into theatre as I am, so no worries I will provide you with a brief synopsis courtesy of the official site:

Past and present, dreams and reality collide for one triumphant, haunting and unforgettable night when former members of the "Weismann's Follies" reunite on the eve of their theater's demolition. Two couples remember their glorious past and face the harsher realities of the present as the shadows of their younger selves remind them of the complicated steps they've danced—both on the stage and throughout their lives.

Basically two couples meet in a dilapidated theatre, take a not so jolly trip down memory lane and the shit hits the fan.

The title alone should give you a clue that this is more than just a show about a theatre being torn down, it has a much deeper, more haunting meaning: the follies of human beings. The ambiance of the set was truly wonderful, when you first sit down in the theatre you really feel like you're sitting in a run-down, moldy, enigmatic theatre that is about to be torn down. I definitely give a huge round of applause to the amazing creative team, because they truly did a wonderful job in creating that world. The staging was just a dream, there was always a glamourous "Weismann girl" in the shadows to remind the audience of the greatness this particular theatre once held. I think it was some of the best staging I've seen in a long time.

Another thing that was very enjoyable for me was the way that the show flowed, because the premise of the story is entirely based on the different characters' memories, it was very fragmented. For me, that was the beautiful thing about it because our minds, especially when it comes to memories, are not consistent all the time; there are times when we remember things and they are not in chronological order, for most people they're fragmented and in bits and pieces, leaving us to put them together like a puzzle. The music was woven seamlessly into the show, Sondheim's genius really shines in this because the music is just as fragmented; each song is a display of the raw emotion the character is feeling, there is no other way for them to get that feeling across except through song. It truly was wonderful.

As you've probably already seen from the links posted, Bernadette Peters is starring as Sally Durant Plummer. If you don't know who Bernadette Peters is, I suggest you click here and here....quickly read before I come find you. This is the second time I've seen her live, and to be honest I wasn't impressed the first time because I preferred her predecessor in A Little Night Music. Not hatin' I just didn't think she was right for the part. I was very, very pleased with her performance as Sally. She breathed a sense of fragility and longing into Sally, portraying her as a woman who is on the end of her rope, a woman that longs for a second chance so she can have the life she dreamed of. Sally is a character that really, really, REALLY got on my nerves...but I also pitied her immensely, even if she had a few bats in her belfry. Bernadette Peters is a legend for a reason, someone didn't just say "Oh lets slap the Legend sticker on her!" No, she earned it through her pipes and talent as an actress; this show also showcased that she can still dance too. I consider myself very lucky, and am very humbled by the fact that this is the second time I've seen her live; I'm also very happy that I got to share it with someone who had never seen her before.

Jan Maxwell....oh let me count the ways. I had never seen her live before, and knew very little about her except that she was awesome. People don't get nominated four times for a Tony just by being mediocre unless you're sleeping with or blackmailing someone in the Wing. Jan Maxwell's performance was absolutely phenomenal. She was such a commanding presence, the character of Phyllis Rogers Stone just came so naturally to her. Did I mention that she was HIT BY A CAR like a few weeks earlier? You wouldn't have known it by the way she was performing, she simply blew me away. Do yourself a favor and see what I mean.

This musical really reminded me why I'm such a fan of Sondheim, why I have no trouble going to see a Sondheim musical that I know nothing about, because usually it's a musical that speaks to human nature. Sondheim's lyrics and music are a roadmap of the human mind and spirit, each lyric is something that everyone has felt or known someone to feel. This musical wasn't any different, on the way home my friend even said "I've had one of those moments." I too have sometimes felt the way Phyllis has felt, or even (God help me) the way Sally felt; if I didn't truly know what it was to feel that way, I definitely know someone who has.

That's the beauty of the theatre, it shows other human beings what it means to be a human being.

Hello Little Dream, Hello.

"I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being." - Oscar Wilde

I should be doing the immense amount of work that I've shamelessly procrastinated doing. But I was so overwhelmed with thoughts and emotions that I just had to get this down, besides I've been in school this long...whats a few more semesters?

I think that it is quite obvious that I love New York, and I've gushed several times about shows and the things I do when I am in the one place that I can truly disappear from the world; for a few days I don't have to worry about anything because I'm too far away to do a damn thing about it. Irresponsible? Perhaps, but I find a little irresponsibility now and then saves sanity in a world that can be terribly suffocating with all of its responsibility.

But I digress...

As always this weekend in New York was magical, and I think what makes each visit more magical (and more addicting) than the other is the obvious: the amazing people that I get to share this experience with. The gang was all together again and we had a new member to add to our merry troupe. It was such an amazing thing to finally be able to share this other world with someone from my everyday life, to be able to allow them into this other life that I escape to when my provincial one becomes too suffocating; to watch them fit like a glove to my world and the people in it makes me so happy I could cry. Call me over-dramatic, and maybe I am (I did want to be an actress...and part of my soul still yearns for that life) but I don't think anyone could possibly understand unless they were that exceptional person I allowed in, or they spent a week in my shoes; and I thank those who don't try to understand.

I was able to show her what makes this city amazing to me, my tips and tricks for seeing up to 4 shows in a weekend, the little holes in the walls with their wonderful gems, and the organized chaos that comes with rolling the dice and taking chances. We couldn't see the show we picked for our evening matinee, so we kept searching until we found one. You'd think that she'd been doing this all her life, by the second hour she was a pro; I wondered why I hadn't asked her to come with me before. Naturally the gang was warm and welcoming, I was so happy that she got to see why I adore them so much and why I need them in my life. I was finally able to give someone the looking glass and have them see into my own little world, and have someone know why I sometimes run to it so often. It was truly a beautiful weekend.

Now on to the shows:
I should just go ahead and face the music now: I saw Anything Goes this weekend with Stephanie J. Block and will be seeing it again next month with Sutton Foster thanks to my amazing sister. So I am sorry for lying to you Lindsey. Please don't tear up the tickets.

Besides Anything Goes, I also saw Follies and Memphis (for a second time) and was able to share another institution with her: the theatre. I was very surprised when we arrived at the Marquis to see that they still had student rush for Follies because it did have the legendary Bernadette Peters and Elaine Paige, not to mention the superb Jan Maxwell (who had just been HIT BY A CAR while crossing the street like TWO FREAKING WEEKS AGO), and Danny Burnstien. I had heard the music before and owned the soundtrack (the kicker was Marin Mazzie singing "Loosing My Mind" at Stephen Sondheim's birthday concert, hang on to your hats kids, this dame is amazing) and really didn't care for it that much, but after seeing the show I realized that it made much more sense.

Memphis was the reason (and a damn good one) we didn't get rush tickets to Bonnie and Clyde, see there's this little modern day legend called Adam Pascal whose currently starring in it as the role of Huey. I thought he did a fantastic job, and naturally sounded amazing with Montego. It's always good to see a show at least twice with two different casts or minor cast changes to the leads because 1.) it's almost like seeing a different show and 2.) if you're the kind that likes to see different interpretations that's the way to go. I mean there was a guy that literally saw every performance of Rent on Broadway...that's going a little too far in my book but whatever floats your boat pal...

Anything Goes was just...I mean that's what all my feelings are about right now. Sutton Foster is currently out because she's filming a TV pilot, but that's not the real star of the story: the real star is the magnificent, amazing and just damn good Stephanie J. Block. If you know anything about me, or if you're one of my many dedicated readers...you know how I feel about Steph, and when the opportunity came to see her in a Cole Porter musical I would be a terrible fan to pass it up (besides, seeing it with Sutton in December will be like a whole new show). Stephanie is a very natural and instinctive actress, she just knows what to do without being over-dramatic or looking like she's trying; she's that way with her singing too (mad, MAD props to her vocal coach) she just has this voice that flows and you're swept away on a sea of melody, vibrato, harmonies and belts. Her dancing...I mean...wow. I was simply speechless during that AMAZING, FANTASTIC, MIND-BLOWING tap number at the end of Act I. To make this even more spectacular is the fact that Steph only had TWO FREAKING WEEKS to learn that entire show. Its no wonder she's going straight home after most shows, I can't imagine how tired she must be. She performed Reno Sweeney the way Barbara Stanwyck would, I swear she even had the Stanwyck saunter down pat. Last time I saw her was at Vera Stark and we established that classic film is amazing, so that's why I went off on a Stany tangent, no apologies.

I would go on more about the show but I think I've procrastinated enough and I should probably get on the ball here. Thank you dear reader for putting up with this word vomit, and for just reading.

If I could sum up this weekend in just one phrase, I would use the phrase that Lord Evelyn Oakleigh used when talking to Moonface Martin: "You give me hot pants."

But in all seriousness, I think another one of my little dreams came true this weekend, and I am eternally grateful for it.

#30: The Best of times is Now, I promise.

If you recall, I mentioned that I was going to New York again. It was the typical cram-as-many-shows-as-humanly-possible in three days trip. I started off in Pittsburgh and stayed with my friend Kate, waiting for my friends Rach and Lyds to show up so we could journey to New York together. I know you're just dying to hear what I saw and what I thought, so without further adieu, my reviews:

I did see A Little Night music...again, since I've already written a review on it I'll make this brief: I did not care for Bernadette Peters as Desiree Armfeldt *ducks flying objects* Now before you chomp my head off, please let me defend myself. I had seen the production before it came to Broadway and it became one of my favorite Sondheim musicals, granted it wasn't as grand as it was on The Great White Way but it was still an excellent production; plus my best friend kicked ass as Desiree. When I saw Catherine Zeta-Jones she was absolutely exquisite; charming, seductive and vulnerable: everything that Desiree should be. Bernadette did an okay job, but there were several points in the show where I felt that I was just watching Bernadette Peters play...herself. Which is a huge no-no when you're acting, you're supposed to embody the character from the time the curtain comes up, to the time the curtain comes down.

Now that I've discussed that...lets move on to the other two shows I saw:

Following Night Music, I saw the revival of Promises,Promises. I have to admit, the only reason I was interested in seeing it at all was the simple fact that I had never seen Kristin Chenoweth live on stage. I was surprised by how much I liked it, granted there were some songs I was like "Okay..this seriously doesn't need to be in here." But for the most part it was a much deeper show than what I thought.
Sean Hayes really surprised me, I had a feeling he was going to be good but I was not prepared for the brilliant stage presence that he had, nor the amazing voice. He was positively brilliant, able to be absolutely hysterical and incredibly serious with ease.
Kristin was everything I expected her to be and more. She's a powerhouse in a tiny package, she is able to sing as delicate as a lullaby then, without warning, she's belting out those notes like it's nothing. She seemed to really enjoy being back in her element, in case you'd forgotten she got her start on Broadway; she's well known for playing Glinda in Wicked, but she's played several other amazing roles.
Katie Finneran was positively amazing. She was only in a few scenes in the second act but she literally stole the stage the minute the lights went up. I can see why the Tony committee thought her worthy of the Best Featured Actress Award because you literally were swept away in a sea of laughter the second she opened her mouth.

While the rest of my merry troupe went to see Memphis, some for the second and third time, I went to see La Cage Aux Folles. It has become one of my favorite shows of all time. Douglas Hodge was absolutely amazing as Albin, I don't think I have seen a performance that amazing in a long time. Kelsey Grammer was a fine choice for my first Georges, he had a great voice and amazing stage presence. I have to briefly mention an amazing talent, Elena Shaddow. She played Anne, which isn't a large role but she had such a presence that I was absolutely captivated every time she had the stage. Just the smallest gesture of her hand or the tilt of her head was absolutely charming, plus she's absolutely adorable.

I apologize if they weren't as in-depth as you thought they would be, I tend to run on and on when I review shows so I have to cut them rather short ;]

#27: A Little Rapture

I am going to warn you ahead of time, this post is going to mostly be gushing about my recent trip to see A Little Night Music and Everyday Rapture. So if that's not your cup of tea just skip the first couple of paragraphs.

Lets start with Night Music.

It was the first show that introduced me to the amazing composer/lyricist/all around genius Steven Sondheim, so I went into the show with a more than overflowing sense of excitement. From the moment the Overture's melodies filled the air, I knew that there was no place that could make me happier in that moment. The cast was almost perfect, I say almost because I did not care for Hunter Ryan Herdlicka's portrayal of Henrik. I won't go into every little detail, but what turned me off was when he sang "Later," he literally screamed at one point and I expected Sondheim himself to pop up and smack him. Other than that, I found everyone else to be a perfect fit for the characters. Let me mention just a few:
Leigh Ann Larkin was absolutely charming as Petra, the very "free-spirited" maid. Leigh Ann recently starred in the 2008 revival of Gypsy as Dainty June, so she's no stranger to Sondheim; I absolutely adored her version of "The Miller's Son" and it has become my new favorite song in the production.
I have to mention Betsy Morgan because when I went to see The Little Mermaid, she was playing Ariel and therefor it is my obligation to gush a little about her. She has a gorgeous voice, its one of those unique voices that makes you cock your head and go "Huh, that's different! I like it!" Her role was unique, she was part of the Greek chorus, I know it sounds weird that a Greek chorus would show up in a modern day Broadway musical but it really did work. I found it particularly fitting in "Remember," the scene in which the characters of Desiree and Frederik reminisced about their past together. In the original production everyone around them froze as they sang, this was unique and original, and as I said before it really did work.
How can one talk about this production, and not talk about Catherine Zeta-Jones and Angela Lansbury? Though she did perform, it was very apparent within the first few minutes that she was on stage that CZJ was not feeling too well. Her voice was a little stuffy, but that did not hinder her performance in the least; she was very careful in the first act and most of the second, one could tell that she was saving her voice for her solo, one of Sondheim's most popular and beautiful songs: Send in the Clowns. She did splendidly! Much better than her Tony Performance; don't get me wrong, she sounded amazing that night, but her neck jerking reminded me of a pigeon. Cut her some slack though, it was the Tony Awards, and I think even someone of her caliber is allowed to be terribly nervous. When she started to sing, I felt my eyes water, by the time she was finished I was a puddle. There is something about that song that touches a small part of you.
Speaking of something that touches a small part of you, let me gush about Angela. From the second she came out on stage I was all a flutter with excitement, then when it came time for her to sing her solo I was a puddle. I never thought in a million years that I would be able to say that I was blessed enough to see a living legend on a Broadway stage TWICE in my life. Oh and just so you know, age hasn't affected her in the least. She still has it, and her rendition of "Liasons" was absolute perfection.

I'm going to borrow the description from the facebook page: Everyday Rapture is the story of a young womans psycho-sexual-spiritual journey on the rocky path that separates her mostly Mennonite past from her mostly Manhattan future. Her life takes her from the cornfields of Kansas to the clover fields of New York (with a disturbing detour through YouTube). With a cast of five led by Sherie Rene Scott, the show also features songs made famous by David Byrne, Roberta Flack, Mister Rogers, The Dap Kings and Judy Garland. Sherie Rene Scott is probably one of the funniest people, with a killer voice, that you've never heard about, she co-wrote the show along with Dick Scanlan. It's sort of a semi-biographical, one-woman-and-two-backup-singers show; Lindsay Mendez and Betsy Wolfe are the two back-up singers, and they were phenomenal; I hope that they do concerts or something because I would love to hear them individually. The show is mostly a satirical look into the world of this young woman, but there were some moments that really got your wheels turning or had you reaching for the kleenexes. She described moments from the death of her gay cousin Jerome, and Fred Phelps in all of his hateful glory showed up to protest his funeral; to the time her son first found a four leaf clover, the cat eating it (to which she described: "I had my hands around his neck, prying his mouth open. I wanted to kill this fucking cat! I told my son that mommy was petting the cat in a way that you should never pet the cat!"), and her wondering if they really were specks of dust and if the world wasn't meant for them. I have to say that it has become my new favorite show, and I wish that it would extend its limited engagement so I could see it again.

I apologize for the long tirade, but there aren't enough words to describe the utter joy and freedom that the theatre gives me.

#18: Gallivanting around the city

For those of you who don't know (which if you're reading this on my Blogger account you probably fit into that category)I 'ran away' last Friday to the 'most livable' city in America: Pittsburgh.
Now one may ask 'Why on earth would you spend your spring break in Pittsburgh? There are so many other happenin' places for a young college kid as yourself!' Okay first of all, nobody uses happenin' anymore unless they are completely trashed; secondly, the people in those locations are usually wasted, horny, and smell of vomit, chaos and bad decisions. Thirdly, the people that I so desperately wanted to see were in fact, in PITTSBURGH. I didn't give my real reason for escaping because I figured people would just assume that's what I was doing for spring break. Not only that, I wasn't quite sure of the reason myself. I told myself that if I could just run away for a few days that my sorrow wouldn't follow me and I would live in blissful ignorance. I would arrive in PGH, be with my friends, sneak away to New York and see some shows, and my problems would just stay in the god-forsaken sinkhole that is my hometown. I kick myself now because I'm old enough to know that isn't the case, however I think that some lessons that you've learned tend to sink to the back of your mind. This happened to be the case. It wasn't until I was on the train on Saturday, heading into FABULOUS New York with the best people ever, that I began to really feel the sadness that I always feel on March 6th; the day my Mother died. I attempted to hide my tears and feelings to no avail, Kate and Rachel are very observant and understanding people and they did an excellent job of making me feel it was okay. They knew that I had been through some really shitty times these past few months; with my Nana dying in January, then dealing with this very difficult time of year that was now intensified with a fresh loss. I began to really think: Why am I still feeling this way when I'm with two people whom I haven't seen in months and am so happy to see? Why are these feeling affecting me in a place where I am most content and happy? The answer is simple:
She was my mom. She was my MOTHER. There will always be a void there, its something that won't disappear. Honestly, I don't think I would want it to because the day that happens is the day I truly loose her forever. While it wasn't as intensified in a different location, it was still there. I still feel the ache, and you know...I'm okay with that. I've moved on, I'm at a place in my life now where I'm just trying to figure things out. And while it is incredibly difficult sometimes without a mother, I manage; with a lot of help from some incredible people.
Well now we have all of that out of the way....allow me to gush about the two shows I saw:

Even though I had the privilege of seeing it when I was sixteen, I marched down to the tkts booth in Times Square to inquire about Phantom of the Opera tickets. I managed to snag a Row H orchestra seat, and with my prize in hand we met another dear friend of ours, Meg, for a bit and wandered about the city for a while before she had to go. After getting beautified, we each went our separate ways; Kate going to see Present Laughter, and Rachel (along with our friend Megan who decided to be spontaneous and join us) went to see HAIR. Seated in theatre, I felt the same thrill that I did when I saw my first Broadway show; this show holds a special place in my heart because it was the first show that I felt a strong connection with the main character. While Beauty and the Beast was great, it didn't have the power that Phantom did. I felt Christine's pain and confusion; stupid as it sounds, the show really helped my little sixteen year old self feel like I belonged. Jennifer Hope Wills played Christine Daae, and she was spectacular. The Christine's that I've heard in the past usually sound all operatic and mature. While that's fantastic, I think that they sometimes leave out the innocence, timidness and naivety that is somewhat crucial to the character. Jennifer did an amazing job of balancing the opera with the child. She hit those E's when the song required and maintained the child-like persona that is so often forgotten with this character. It was absolutely fantastic. Oh and how could I talk about this show without talking about the Phantom? John Cudia was just...amazing. Seriously there's no other way to describe it without making this post ridiculously long. Search him on YouTube. Also, Andrew Lloyd Webber just premiered his sequel to Phantom at the Adelphi Theatre in London. Love Never Dies basically picks up 10 years after the Phantom disappears, I'm counting the days until it comes to Broadway.

The other gem I saw was Billy Elliot. It's set during the Miners Strike in northern England mining town. Eleven-year old Billy Elliot, whose father and brother are participating in the strike,(whose mother has died quite some time ago and whose grandmother is not completely aware of what's going on), doesn't like the brutal boxing lessons at school. Instead, he falls for the girls' ballet lessons. When his folks find out about this unusual love of his, Billy is in trouble. Being supported by the ballet teacher, Mrs. Wilkinson, he keeps on training secretly while the work situation as well as the problems at home get worse. Finally, Mrs. Wilkinson manages to get Billy an audition for the Royal Ballet School, but now he also has to open his heart to his family. I've never seen the movie, but after seeing the show I'm pretty sure it can't compare. Yeah I know that's not really a fair assessment but I think you would feel the same way if you heard the music and saw the absolutely phenomenal dance numbers.

So that's pretty much it. I didn't intend for this to be so long, so kudos to you if you read it. I think everyone needs a little escape, they provide opportunities of self-discovery and amazing experiences with those you love.

At least, that's how I see it :]